| HJS |
| volume 6, issue 1, 2005 |
| NOTES 1 Laurent Milesi, 'Joyce. Language and Languages' in James Joyce Studies, ed. Jean-Michel Rabate (New York: Palgrave MacMillan, 2004) 144-161. 2 Carlos Chavez, Toward a New Music: Music and Electricity (New York: Norton, 1927) 133. 3 See James A. Connor, 'Radio Free Joyce: Wake Language and the Experience of Radio' in Sound States, ed Adelaide Morris (University of North Carolina Press: Chapel Hill and London, 1997) 17-31. John Gordon, Finnegans Wake: A Plot Summary (Syracuse: Syracuse University Press, 1986). 4 'The Brains Trust'--a BBC discussion programme heard by 29% of the population each week. It received 4,5000 letters a week from listeners who wanted their queries answered by Dr C.M. Joad, Julian Huxley and Commander A.B. Campbell. In 1943 it was put into reverse and the founder members were replaced (for one session) by members of the public. 5 Edward Sackville-West, The Rescue (London: Hogarth Press, 1945) 8-9. 6 Clement Semmler, 'Radio and James Joyce,' BBC Quarterly, vol XVI (1949): 92-96. 7 Val Gielgud, The Right Way to Radio Play Writing (London: 1945) 21. 8 V.S. Pritchett, 'Broadcasting About Literature,' BBC Quarterly, XIV (1947-48). 9 All quotes and correspondence located in John Keir Cross's Scriptwriter File (1a) held at the BBC Written Archive Centre, Caversham Park, Reading, UK. 10 Sean O'Faolain, BBC Quarterly (1952). 11 Matyas Seiber, from explanatory essay on the first performance of the cantata Ulysses (1957) 12 Walter J. Ong, Orality and Literacy: The Technologizing of the Word (New York: Methuen, 1982) 136. |