No sympathy: contemporary account
Contemporary
Resistance to the Recruiting Spectacle
Commenting
on a Dublin recruiter, an anonymous writer in The Spark (September
5, 1915) reviews a rally:
He . . . had spoken in Belfast
to Nationalists and Unionists on the same platform -- an Ireland united
for the first time -- all together like a bundle of sticks. No one seemed
to be quite clear why these people were like a bundle of sticks, but apparently
those referred to were tied up. Bundles of sticks are used for starting
a fire, and possibly the Belfast folk are to be used to draw fire later
on; hence the necessity for tying them up.
At this point a Crimean veteran did a turn
which fell very flat, and then the meeting concluded, the band skulking
behind the bank and playing "A Nation Once Again" in a furtive, shame-faced
way, much to the amusement of the bystanders. Among the bandsmen, I noticed
a well-known three card trick man which shows how all sections of society
have been moved by the great appeals.
It is to be regretted that the listeners
seemed to think the whole affair had been arranged for their delectation,
and, undoubtedly, if this perverted notion grows among the public, the
picture houses and theatres will suffer considerably.
Clearly, if recruiting
meetings and parades were often staged before large audiences, not everyone
was inclined to accept them as welcome entertainment: The Spark mocks
failed "turns" -- the Crimean's vet's flat act and the officer's self-defeating
trope (those "bundles") -- with the mordant irony that Joyce, hostile to
propaganda per se, would direct towards the nationalist martyrdom of Robert
Emmett, whose hanging is described in "Cyclops" as an event in the society
pages.
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